Wednesday 5 September 2012

Bibliography


  • ·         Fry, Vaughan, Vaughan on Movies, Terminator 2: Judgement Day, December 3rd 2009; URL:  http://www.vaughnonmovies.com/2009/12/terminator-2-judgment-day/
  • ·         Glintenkamp, Pamela, Industrial Light & Magic: The Art of Innovation, 1st November 2011 (pages 19, 25, 26, 258-265)
  • ·         Media Department, Central Sussex College (Haywards Heath Campus), Industrial Light & Magic: Creating the impossible (pages 2, 3, 5, 6, 7, 8 and 10, minus the marking criteria pages from the overall total)
  • ·         mouseketweeter, Pirates of the Caribbean: Dead Man's Chest- Creating Davy Jones at Walt Disney World Backlot, June 22nd 2010; URL:  http://www.youtube.com/watch?v=UdAEYLWMY3A
  • ·         ThePropKing, YouTube, Terminator 2 - How the Nuclear holocaust scene was made - Miniature Props, February 26th 2011; URL:  http://www.youtube.com/watch?v=fzRdpYBrOJM


The review of ‘Terminator 2: Judgement Day’ (1991) was useful for my research because I was able to learn about some of the special effects that Industrial Light and Magic had to develop and some of the challenges that they had to face when producing the film. The book ‘Industrial Light and Magic: The Art of Innovation’, gave information about the different technologies the company made for the films they did and how they achieved these effects, which included blue-screen matte paintings an complex motion-capture technologies. Industrial Light and Magic: Creating the Impossible is quite similar, but I also learnt about the backstories for the company’s members, and this could be useful for future reference. The two YouTube sources for ‘Pirates of the Carribean: Dead Man’s Chest’ (2006) and ‘Terminator 2: Judgement day’ (1991) found had some good information regarding the special effects made for major elements and scenes of the films, which included the nuclear holocaust scene from ‘Terminator 2: Judgement Day’ and the creation of the character Davy Jones from ‘Pirates of the Carribean: Dead Man’s Chest’.

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